Energy, Structure, and Silence: Rusydinul Aiman’s Best Photos of 2025
- AICREATIVV

- 5 days ago
- 3 min read
Rusydinul Aiman’s Top 10 Photos of 2025
For someone constantly behind the scenes whether he’s directing, filming or executing; Rusydinul Aiman sees the world in motion. Whether it’s dancers mid-air, fighters lifted in victory, or the quiet symmetry of a bridge after an unplanned hike, his camera instinct leans toward energy, contrast, and composition.
Shot across multiple cameras — from the Sony ZV-E10 to the Sony A7IV, Nikon D5600, and even the iPhone 14, this collection reflects not just projects, but perspective. Here are Rusydinul Aimans’s Top 10 photos of 2025.
1. Borneo Kustom Show 2025

Shot on Sony ZV-E10
Sometimes it’s not the whole car; rather, it’s the detail.
At Borneo Kustom Show 2025, Rusydinul Aiman gravitated toward the smaller design elements: textures, chrome finishes, custom lines. The Sony ZV-E10 gave him flexibility to move around quickly, capturing mechanical craftsmanship without interrupting the flow of the show. Observational, instinctive, and precise.
2. Raja Isteri Pengiran Anak Hajah Saleha Bridge

Shot on iPhone 14
Taken after an unplanned hike with friends, this image leans into symmetry.
The structure of the bridge meets the horizon in quiet harmony, creating a composition that feels both calm and precise. Less about capturing the moment, and more about noticing it as it unfolds.
3. WADOKAI Open Championship 2025

Shot on Sony ZV-E10
The winner announced. The fighter lifted by their coaches.
Rather than documenting the decisive strike, Rusydinul Aiman turned his lens toward what followed — the release, the embrace, the collective celebration. The result is a frame that captures not just victory, but the shared emotion behind it.
4. XEDC Vol.2 — Breaking Gravity

Shot on Sony ZV-E10
This frame feels like it defies physics.
Mid-air energy, a sharp silhouette, dramatic light. There’s a sense that gravity pauses for a moment — suspended, effortless, unforced.
5. XEDC Vol.2 — Poster Energy

Shot on Sony ZV-E10
This one feels like a show announcement.
Centered composition. Confident stance. Strong lighting.
It’s what you would expect to see on an event poster. Rusydinul Aiman’s instinct for framing and negative space turns a performance shot into a promotional-ready visual.
6. XEDC Vol.2 — Orange & Teal

Shot on Sony ZV-E10
High contrast. Cinematic grading. Orange against teal.
The colour balance alone gives this frame a film still quality. It’s dynamic without being chaotic — proof that motion photography isn’t just about movement, but about controlling contrast.
7. Personal — My Own Eyes

Shot on iPhone 14 (Front Camera)
Bathroom lighting. Spontaneous idea.
Rusydinul Aiman noticed how the light hit his eye and decided to experiment — creating variations from a single concept. It’s intimate, slightly abstract, and a reminder that creativity doesn’t need a production set. Sometimes it’s just noticing light.
8. Personal — The Office

Shot on Sony A7IV
A quiet frame.
Chosen purely for its colour. The Sony A7IV’s depth and tonal range give this image warmth and softness. It’s less about subject, more about atmosphere, a little immersive in the sense that it shows how a space feels when you pause long enough to look at it.
9. Wealth Stratification — Kota Kinabalu

Shot on Nikon D5600
This one carries weight.
From his room in Kota Kinabalu, Rusydinul Aiman captured the contrast between towering skyscrapers and wooden houses below in which luxury and neglect shar the same skyline. It’s a striking juxtaposition, subtle but heavy. Not staged. Just observed.
Among all ten, this may be the most concept-driven image in the collection.
10. XEDC Vol.2 — Flow Over Freeze

Shot on Sony ZV-E10
Instead of freezing a dancer perfectly still, Rusydinul Aiman chose to capture the flow.
Motion blur becomes language. Energy becomes visible. Rather than isolating a single second, the image expresses movement itself — how alive the performance felt in real time.
A Photographer Who Frames Energy

Across events, personal moments, and social observation, one thing remains consistent: Rusydinul Aiman shoots what moves him, sometimes literally.
Whether through symmetry, contrast, or raw motion, these ten images reflect a year shaped by curiosity, instinct, and attention to detail.
More than documenting movement, his work reveals an understanding of timing — knowing when a moment becomes something worth holding onto.























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